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Martin Brest Chris O'Donnell, James Rebhorn A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute. Jodie Foster, Cybill Shepherd 7. 9 / 10 An old man recalls his time painting houses for his friend, Jimmy Hoffa, through the 1950-70s. Mystery Thriller 7. 5 / 10 An exceptionally adept Florida lawyer is offered a job at a high-end New York City law firm with a high-end boss - the biggest opportunity of his career to date. Taylor Hackford Keanu Reeves, Charlize Theron Three amateur bank robbers plan to hold up a bank. A nice simple robbery: Walk in, take the money, and run. Unfortunately, the supposedly uncomplicated heist suddenly becomes a bizarre nightmare as everything that could go wrong does. Sidney Lumet John Cazale, Penelope Allen 8. 9 / 10 The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption.
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Este artículo o sección necesita referencias que aparezcan en una publicación acreditada. Este aviso fue puesto el 15 de abril de 2014. Captain America Título Capitán América Ficha técnica Dirección Rod Holcomb Producción CBS Guion Rod Holcomb Protagonistas Reb Brown Ver todos los créditos ( IMDb) Datos y cifras País Estados Unidos Año 1979 Estreno 19 de enero de 1979 Género Acción Aventura Superhéroes Duración 120 minutos Idioma (s) Inglés Ficha en IMDb Ficha en FilmAffinity [ editar datos en Wikidata] Capitán América es una película para televisión estadounidense de acción y aventura de 1979 basada en el personaje creado por Marvel Comics del mismo nombre, dirigida por Rod Holcomb y protagonizada por Reb Brown. La película fue seguida por la secuela Captain America II: Death Too Soon, también lanzada en el mismo año. Argumento [ editar] Steve Rogers es un personaje de la época contemporánea cuyo padre era un agente del gobierno de 1940. La actitud muy patriótica del padre de Steve le valió el apodo de Capitán América, y su padre es mencionado como de haber sido asesinado.
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Having successfully graduated from Harvard law school, Mitch McDeere (Cruise) turns down Wall St. to work for a smaller firm with the incentive of a brand new car and house and even a generous pay rise. It's not until further down the line that McDeere begins to realise there might have been a hitch. Sydney Pollack's adaptation of John Grisham's 1991 bestseller is a big, lumbering, occasionally invigorating Star Vehicle, with most of the menace that propelled Grisham's gripping page-turner diluted in favour of a more Gary Grant-ish take on the classic Hollywood conspiracy thriller. Lacking the paranoia of Pollack's own Three Days Of The Condor, it's also gelatinous, sloppy and over-indulgent, yet somehow manages to make the grade as a pulpy, old-fashioned movie experience. Tom Cruise is Mitch McDeere, a brash, grin-flashing hotshot, top in his Harvard law class and Wall Street-bound until the small Memphis law firm of Bendini, Lambert & Locke lure him down South with a stupendous salary, gorgeous house and new Mercedes.
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Even if you're watching this on Netflix in say 3 x 70 minute sessions, not much really happens in this time to make it compelling enough to want to stay till the end. Disappointing by Scorsese standards First off, let me set this straight that I'm not repel by long or slow films. However, The Irishman is at the very least 30-40 minutes too long, and the suspense sometimes is kill off by characters dragging the scene too much. The biggest offender would be the second last arc which I'm not gonna spoil. Review the Movie, not the Director Peoples are losing their minds over the saint director, forgetting the movie. Sure, it's well made, fascinating history. But it's second nature for De Niro, and Pacino overreaches at times. The third reel is repetitive over the decline of the De Niro character. Would be a better movie at 2hr 30. In fact, I thought it had end about then, but it meander on another hour. Almost Perfection Other reviewers at the top, when sort by Helpfulness, have already cover much of what makes this film so exceptionally good.
Che un film su un regista incapace sia fatto non da Tim Burton ma da un aspirante autore, eclettico e spesso incapace come James Franco, rende la faccenda una messa in abisso vertiginosa. Tanto più che è evidente quanto Franco, da interprete, si identifichi con il megalomane e narcisista Tommy Wiseau: che rispetta come se fosse davvero un visionario. Ma ciò fa parte del paratesto. Limitiamoci al film. The Disaster Artist parla della fine della mitologia cinematografica: in un'epoca in cui, come nel film intuisce l'attore Greg Sestero (Dave Franco, fratello del regista e molto bravo), le serie tv stanno...
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Sinopsis: Godofredo de Ibelin, caballero reconocido por el rey de Jerusalen y comprometido con el mantenimiento de la paz en Tierra Santa, emprende la busqueda de su hijo ilegitimo, Balian, joven herrero frances que llora la perdida de su mujer y su hijo. Balian cede ante su dolor y se une a Godofredo en su mision sagrada. Tras la muerte de su padre, hereda su tierra y su titulo en Jerusalen, ciudad en la que los cristianos, musulmanes y judios han conseguido alcanzar una convivencia pacifica durante la tregua entre la 2? y 3? Cruzada. Nos encontramos en el a? o 1186. Con una integridad inquebrantable y bajo noble juramento, Balian se encuentra en una nueva tierra, sirviendo a un rey condenado y atraido por la enigmatica hermana de este, la princesa Sibylla. Alli, en Jerusalen se convertira en el mas heroico y honorable de los caballeros y tendra que proteger a su pueblo de las fuerzas opresoras.
Regia di Salvatore Piscicelli. Un film con Luisa Ranieri, Daniele Russo, Luca Saccoia, Marcella Spina, Roberta Spagnuolo. Cast completo Genere Drammatico, - Italia, 2019, durata 96 minuti. Uscita cinema giovedì 18 luglio 2019 distribuito da Vision Distribution. Consigli per la visione di bambini e ragazzi: +13 Maria è una giovane vedova con tre figli. È disposta a fare di tutto per la sua famiglia. In Italia al Box Office Vita segreta di Maria Capasso ha incassato 46, 1 mila euro. n. d. MYMOVIES N. D. CRITICA 3, 10 PUBBLICO N. D. CONSIGLIATO N. D. Scheda Home Cast News Critica Pubblico Cinema Trailer Poster Foto Frasi Streaming
What's It All For? Spoiler alert: follow the money. Kangaroo flesh is sold domestically – including for the Australian pet food market – as well as internationally, despite concerns about pathogenic contamination. Meanwhile, kangaroo skin is used as "k-leather" by shoe manufacturers. Kangaroos are also killed to boost profits in animal agriculture, as they compete for food with animals raised for meat, leather, and wool. In New South Wales, the state government has approved the commercial slaughter of more than 2. 3 million kangaroos in 2020 – even though bushfires have already decimated wildlife populations. We Animals Media How You Can Help Kangaroos Get informed – gather a group of friends together and watch Kangaroo: A Love-Hate Story. Never buy kangaroo meat or anything made with "k-leather" – or any other animal skin. When you wear leather, there's no way to tell whose skin you might be in. The only skin you should ever wear is your own. Join us in urging the New South Wales and Victorian governments to stop issuing permits for the mass slaughter of kangaroos.