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TMDb Score 57 Not Yet Rated 1 hr 35 min Dec 20th, 1990 Drama Fifteen-year-old Lulu has never known any affection from her family. But when she goes to a rock concert with Pablo, a friend of the family, he introduces Lulu to her first sexual experience. Years later, Pablo and Lulu have married; Pablo has created a sheltered, private world for Lulu, into which nothing intrudes. However, Lulu tires of her cloistered existence, and begins hanging out in shady bars, looking for vicarious thrills and danger. Director Bigas Luna Starring Francesca Neri as Lulú Óscar Ladoire as Pablo María Barranco as Ely
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MyMovies US June 18, 2019, 9:37 AM 'Ready Or Not' follows a young bride (Samara Weaving) as she joins her new husband's (Mark O'Brien) rich, eccentric family in a time-honored tradition that turns into a lethal game with everyone fighting for their survival. MyMovies, trailer, 2019, Horror, Suspense, Mark O'Brien, Samara Weaving, Matt Bettinelli-Olpin, Tyler Gillett
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VICE Video: Documentaries, Films, News Videos - VICE Video features the best original videos, documentaries, and underground news from around the world.
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Minus Points: The length of the film is a tad long as few minutes in the second half could have been easily edited out during the flash back. After a very engaging first half, the second part becomes a bit dull because of the serious scenes. Also, the science fiction element showcased might not impress everyone. The way the professor's track featuring Ravi Varma is handled does not look that convincing and is a key loophole in the film. Technical Aspects: Production values by SKN are neat as the film has very good night visuals and the science fiction element has been showcased in a good color tone by the camera department. Production design is top notch as the garage set up looks very impressive. Music and background score by Jake's Bejoy is top notch and gives a good feel to the film. Coming to he director Rahul, he has done an impressive job with the film. Even though the backdrop of the film is the age old horror comedy, he cleverly adds a science fiction element and narrates it convincingly keeping the viewers engaged.
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Ceci confondu à un Bond plus "rustique", moins "BCBG", à qui l'on sait parfaitement, et à juste titre, lui accorder un visage "sali", des tenues "abîmées", et une voiture au départ "endommagée" qui s'accordent à la mouvance du film. Un simple bémol, tenant à la circonscription du film à 1h40, davantage aurait été souhaité, mais peut-être ceci aurait nuit au long métrage déjà réussi. Un 5/5 pour ce film. 3/ Dans Skyfall, une immersion dans de nouveaux horizons, recentrés sur la Grande Bretagne principalement (malgré les scènes notamment tournées en Chine, révélant une fois de plus dans cet opus la "mondialisation", et "modernisation" par des effets de lumière très réussis sur la ville). Une projection sur la vulnérabilité du MI6 et notamment l'agent Bond, qui devra relever le défi face à un ancien agent devenu psychopathe, et souhaitant œuvrer en déjouant la sécurité des agents anglais notamment par le biais de l'informatique. Une prolongation réussie, faisant entrer James Bond dans une ère nouvelle, pour laquelle Daniel Craig revient à des sources plus traditionnelles et renoue enfin avec son enfance, ce que grand nombre ont tant attendus, pour permettre de redécouvrir l'histoire de ce tumultueux et implacable agent qui se voit attribuer une légère sensibilité dans cet opus, plus "vulnérable", moins "provocateur" que dans ses deux précédents opus.
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